{"id":35568,"date":"2024-09-05T21:38:54","date_gmt":"2024-09-05T19:38:54","guid":{"rendered":"http:\/\/www.noucicle.org\/lhora\/?p=35568"},"modified":"2024-09-06T12:46:01","modified_gmt":"2024-09-06T10:46:01","slug":"raimon-obiols-lapunt-del-dia-364-un-logo-per-kamala-harris","status":"publish","type":"post","link":"https:\/\/www.noucicle.org\/lhora\/raimon-obiols-lapunt-del-dia-364-un-logo-per-kamala-harris\/","title":{"rendered":"Raimon Obiols: L\u2019apunt del d\u00eda\/364 (Un logo per Kamala)"},"content":{"rendered":"\n<p>Fa una setmana, <strong>Jason Brown<\/strong> i  <strong>Ruth Huebner<\/strong>, que viuen a Omaha i voten dem\u00f2crata, van  tenir l\u2019idea de pintar un gran punt blau en un r\u00e8tol de jard\u00ed blanc, i el van plantar  al davant de casa. <br><br>El senyal, d\u2019una simplicitat absoluta, era d\u2019entrada misteri\u00f3s. Permetia, com podria dir un cr\u00edtic, \u00ab<em>diverses lectures<\/em>\u00bb: <strong>1<\/strong>\/ Com a obra d\u2019art (menor) \u00e9s d\u2019una simplicitat absoluta, visualment impactant i de bell efecte; <strong>2<\/strong>\/ El color blau \u00e9s el caracter\u00edstic del Partit Dem\u00f2crata; <strong>3<\/strong>\/ Als EUA estan en plena campanya electoral; i <strong>4<\/strong>\/ Els vots de Nebraska (on \u00e9s Omaha) <a href=\"https:\/\/search.app\/uf3tcyAQryRxuCN4A\">poden ser determinants<\/a> del resultat final de la pugna <strong>Kamala<\/strong> <strong>Harris<\/strong> &#8211; <strong>Donald Trump<\/strong>. Aquest punt \u00e9s definitiu: en el passat, tant <strong>Obama<\/strong> com <strong>Biden<\/strong> van fer freq\u00fcents incursions de  campanya a Nebraska, tradicionalment republicana, per tal de reequilibrar la balan\u00e7a. <\/p>\n\n\n\n<p>Com \u00e9s l\u00f2gic, el \u00ab<strong><em>Blue Dot<\/em>\u00bb<\/strong> (el punt blau) dels <strong>Brown<\/strong> crid\u00e0 l\u2019atenci\u00f3 dels vianants. De seguida en van entendre la seva intenci\u00f3  electoral, i  molts ve\u00efns van demanar r\u00e8tols als <strong>Brown<\/strong> per a plantar-los a casa seva. En cinc dies n\u2019han  fet <strong>400<\/strong> i acaben d\u2019encarregar material per a fer-ne <strong>1.600<\/strong> m\u00e9s. Els \u00ab<em><strong>Blue Dots<\/strong><\/em>\u00bb creixen com bolets  al&nbsp; barri. <\/p>\n\n\n\n<p>De manera que el t\u00e0ndem <strong>Kamala Harris <\/strong>&#8211; <strong>Tim Walz<\/strong> disposa, com a m\u00ednim a Omaha i -qui sap?- potser dem\u00e0 a tot el pa\u00eds (si el s\u00edmbol, com \u00e9s possible, fa taca d\u2019oli) d\u2019un logo, el \u00ab<em><strong>Blue Dot<\/strong>\u00bb, <\/em>que   ja pot ser considerat,  a partir d\u2019ara, no sols el millor logotip de la campanya, sin\u00f3 una espl\u00e8ndida mostra de la comunicaci\u00f3 pol\u00edtica  m\u00e9s destil\u00b7lada,  m\u00e9s totalment quintaessenciada.&nbsp; En \u00faltima inst\u00e0ncia, l\u2019objectiu d&#8217;un logotip pol\u00edtic no \u00e9s nom\u00e9s ser bonic sin\u00f3 ser memorable, en el sentit m\u00e9s literal del terme. El seu impacte ha de ser agradable, per\u00f2 sobretot ha de quedar en la mem\u00f2ria. No \u00e9s f\u00e0cil, en un m\u00f3n saturat d\u2019imatges. Aquest ho ha aconseguit. <br> <br>Hi ha m\u00e9s. En tant que objecte art\u00edstic, el \u00ab<strong><em>Blue Dot<\/em><\/strong>\u00bb \u00e9s perfectament presentable i aguanta les comparacions. L\u2019any <strong>1913<\/strong>, o el <strong>1914<\/strong>, o potser el <strong>1915<\/strong> (la data exacta \u00e9s discutida pels historiadors), <strong><a href=\"https:\/\/ca.m.wikipedia.org\/wiki\/Kazimir_Mal%C3%A8vitx\">Kazimir Malevich<\/a><\/strong>, un pintor rus d&#8217;ascend\u00e8ncia polonesa, va agafar un llen\u00e7 de <strong>79,5 <\/strong>cm. x <strong>79,5<\/strong> cm., va  deixar el blanc a les vores i al mig hi pint\u00e0 un quadrat negre. \u00c9s una obra famos\u00edssima, que ha estat quasi tan profusament comentada com una altra pe\u00e7a emblem\u00e0tica de les revolucions art\u00edstiques del segle <strong>XX<\/strong> , l\u2019<a href=\"https:\/\/ca.m.wikipedia.org\/wiki\/Font_(Duchamp)\">urinari de <strong>Marcel Duchamp<\/strong><\/a> (\u00ab<strong><em>Font<\/em><\/strong>\u00bb, <strong>1917<\/strong>). Aqu\u00ed, a tall d\u2019exemple, es pot trobar un text (en angl\u00e8s) de la <strong>Tate Gallery<\/strong> de Londres sobre \u00ab<em><a href=\"https:\/\/www.tate.org.uk\/art\/artists\/kazimir-malevich-1561\/five-ways-look-malevichs-black-square\">les cinc maneres de contemplar el Quadrat Negre de <strong>Malevich<\/strong><\/a><\/em>\u00bb. <\/p>\n\n\n\n<p>Ara fa trenta anys, el <strong>1994<\/strong>, es va estrenar <em>\u00ab<strong>Art<\/strong>\u00bb<\/em>, de <strong>Yasmine Reza<\/strong>. \u00c9s una  pe\u00e7a de teatre que ha tingut un \u00e8xit fabul\u00f3s. Tradu\u00efda a <strong>35<\/strong> idiomes, encara es representa. Al  T\u00edvoli de Barcelona hi va haver funcions en catal\u00e0 (amb <strong>Josep Maria Flotats<\/strong>, <strong>Josep Maria Pou<\/strong> i <strong>Carlos Hip\u00f3lito<\/strong>) i en castell\u00e0 (amb <strong>Ricardo Dar\u00edn<\/strong>, <strong>Germ\u00e1n Palacios<\/strong> i <strong>Oscar Mart\u00ednez<\/strong>). &nbsp;A l\u2019obra, un metge amant de l&#8217;art modern compra un quadre per <strong>200.000<\/strong> francs (<strong>30.000 <\/strong>euros d\u2019avui), i el mostra, cofoi, als seus amics. Sorgeix una viva discussi\u00f3, perqu\u00e8 es  tracta d\u2019una tela de <strong>1,60<\/strong> x <strong>1,20<\/strong> metres, enterament pintada de blanc. <\/p>\n\n\n\n<p>Ara b\u00e9: si hagu\u00e9ssiu de triar, quina d\u2019aquestes tres obres d\u2019art us penjarieu a casa? Em sembla que, m\u00e9s que el quadre negre de <strong>Malevich<\/strong>, o el blanc de la com\u00e8dia de<strong> Reza<\/strong>, a mi em faria m\u00e9s pe\u00e7a el \u00ab<strong>Blue Point<\/strong>\u00bb  de la parella <strong>Brown-Huebner.<\/strong>  T\u00e9 al darrere una hist\u00f2ria que m\u2019agrada. Si el mes de novembre hi ha un final feli\u00e7 i <strong>Trump<\/strong> no torna a la Casa Blanca, encara m\u2019agradar\u00e0 m\u00e9s.   <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"985\" height=\"1024\" src=\"http:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1221-985x1024.jpeg\" alt=\"\" class=\"wp-image-35580\" srcset=\"https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1221-985x1024.jpeg 985w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1221-288x300.jpeg 288w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1221-768x799.jpeg 768w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1221.jpeg 1024w\" sizes=\"auto, (max-width: 985px) 100vw, 985px\" \/><figcaption><strong>Jason Brown i Ruth Huebner, \u00ab<em>Blue Dot<\/em>\u00bb (2024) <\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1224-3.jpeg\" alt=\"\" class=\"wp-image-35586\" width=\"542\" height=\"238\" srcset=\"https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1224-3.jpeg 810w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1224-3-300x132.jpeg 300w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1224-3-768x338.jpeg 768w\" sizes=\"auto, (max-width: 542px) 100vw, 542px\" \/><figcaption><strong>El taller de Jason Brown<\/strong>, <strong>en plena producci\u00f3<\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"958\" src=\"http:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1229.jpeg\" alt=\"\" class=\"wp-image-35592\" srcset=\"https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1229.jpeg 960w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1229-300x300.jpeg 300w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1229-150x150.jpeg 150w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1229-768x766.jpeg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption><strong>Kazimir Malevich, \u00ab<em>Quadrat negre<\/em>\u00bb (191?)<\/strong><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1230.jpeg\" alt=\"\" class=\"wp-image-35598\" width=\"539\" height=\"370\" srcset=\"https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1230.jpeg 480w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1230-300x206.jpeg 300w, https:\/\/www.noucicle.org\/lhora\/wp-content\/uploads\/2024\/09\/IMG_1230-220x150.jpeg 220w\" sizes=\"auto, (max-width: 539px) 100vw, 539px\" \/><figcaption><strong>Flotats, L\u00e1zaro i Pou, discutint el \u00abquadre blanc\u00bb, a l\u2019obra \u00abArt\u00bb de Yasmine Reza<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fa una setmana, Jason Brown i Ruth Huebner, que viuen a Omaha i voten dem\u00f2crata, van tenir l\u2019idea de pintar un gran punt blau en un r\u00e8tol de jard\u00ed blanc, i el van plantar al davant de casa. El senyal, d\u2019una simplicitat absoluta, era d\u2019entrada misteri\u00f3s. Permetia, com podria dir un cr\u00edtic, \u00abdiverses lectures\u00bb: 1\/ &hellip;<\/p>\n","protected":false},"author":1,"featured_media":35576,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-35568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/posts\/35568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/comments?post=35568"}],"version-history":[{"count":59,"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/posts\/35568\/revisions"}],"predecessor-version":[{"id":35642,"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/posts\/35568\/revisions\/35642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/media\/35576"}],"wp:attachment":[{"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/media?parent=35568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/categories?post=35568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.noucicle.org\/lhora\/wp-json\/wp\/v2\/tags?post=35568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}